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" After Words : Film Review"

This is an artist too individual and too highly personal to be sociable.16 Another review mentioned the sitters emotive posture, describing it as haunting in its melancholy of pose and expression.17 Pfannstiel similarly described the work as mlancholique in his 1929 catalogue, where he goes on to highlight the sitters doll-like simplicity.18 Such readings presage later criticisms that the sitter known as Elvira appeared innocent and pathetic, and openly rustic and illiterate without thoughts.19 Standing Nude (Elvira) : Provenance and reception The young woman of Standing Nude (Elvira) stands frontally, holding a white cloth to preserve her modesty

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