Although filmed in black and white, Rogers was skilled in recognizing how colors were depicted on film, as she clearly described in the design process of her blue feather dress for Top Hat (1935): Its funny to be discussing color when youre making a black-and-white film, but the tone had to be harmonious. The dramatic and alternating tones of red and white in the 1959 Tender Shoot costume also contrasted harmoniously on screen
Featuring delicate spaghetti straps, a flattering V-neckline, and a sleek sheath silhouette, this gown is perfect for the bride who values clean lines and timeless design
Linden is a striking midi dress with a refined, feminine feel and an effortlessly elegant finish
This gown fits entirely with other fine Australian garments worn by elite ladies, although its subtle colour indicates it was particularly suited to afternoon wear
Vann Woodward, in the forties and fifties, revealed them as the distortion and propaganda of the Jim Crow years