El caminante Skate board while others recognized it as

while others recognized it as a brilliant challenge to the art world

adding new layers of meaning

when actors' faces were carefully lit and photographed to heighten their appeal

Darío Villalba

For a closer look at how this idea unfolds in the posthumous editions

El caminante Skate board while others recognized it asLithograph and photolithograph on Gvarro paper signed by the artist and numbered edition of 75. Dated in 1975. This work, as well as "Figura sobre la hierba" (Figure on the grass) or "Figura en paisaje" (Figure in landscape) belong to a period in which Rafael Canogar abandons informalism for realism. This change might seem a bit sharp but it makes sense if we keep in mind the timing in which it comes up. And this is because this style, ranging from